Greetings from Albion. Inspired by Siberia.

Anni Hogan - a participant of Marc and the Mambas which founded by Marc Almond and closely connected with Soft Cell.

Siberia is a collection of compositions intended for the
imaginary undiscovered lost scenes from the films of the great masters of European cinema. We selected 11 directors in all. The directors we chose; Tarkovsky, Parajanov, Kieślowski, Tarr, Bresson, Sokurov, Troell, Buñuel, Leone, Bergman and Pasolini. The intention is that the listener will match the track to the film they feel the music is best suited too, and will then fill in the narrative of the lost scene using the composition to evoke their storyline. You can place this lost scene, wherever you like in the film. It is your imagination; use it. Indeed you are free to select another 11 Directors of your own choice, should you so wish. Or just play it without thought. If that is possible?

Thank you for your attention to our local movement, Anni.

Dropbox #4 and summer comes again...

Размораживаем блог, публикацией треков , которые вы, наши уважаемые любители эха, прислали в наш дропбокс.
Defrost blog publications with tracks that you, our dear  echo-fans have dropped..

Most tracks came from Arktor. It seems to be an album coming soon.

Some news from all around the World

Let's sail on the soundwaves to the Scotland with Holobeams and his new EP. Music of this guy speaks for itself.

and then jump to Colorado.  

The EP mines a wonderfully rich seam of atmospheric yet epic songcraft that Kramies has made his own. From the throbbing ambient introduction of ‘The Beginning’ through to the delicate folk of ‘The Ending’, Kramies’ new EP covers vast emotional and musical terrain during its 23-minute run-time. The title track’s windswept grandeur is married to an emotional directness that demands your attention and doesn’t let go, ‘Sea Otter Cottage’ sways and swoons with an almost unbearable poignancy, and ‘Clocks Were All Broken’ both alludes to and embodies this music’s timeless appeal.

  

after trip come back home with this pretty pleasurable band from Spb.

   
to be continued... see ya on ECHOTOURIZM

Echochorus - Sima

Hello today another one Baltic trip. A long time ago we find this guy in our soundcloud with very deep (as we love) and vibey mixtape. Later its turned out that he had has long been engaged music and collects Soviet analog synthesizers. Welcome he is Echochorus and his maxi single/ep "Sima"

Kirils Lomunovs aka Echochorus. Expert sound designer and controllerist has been featured as a key figure of the Latvian electronic music scene for producing some of the most essential experimental electronic, ambient and techno music of the past years. In 1996 started improvisation on the old soviet synthesizers and effects, since 2001 experimented with stylistics of minimal and dub techno. As a Kriipis Tulo was involved in such experimental electronic music events as Jazz Giants:Past/Present Riga (2001), Sound Forest - festival of avant-garde music and video art (2003-2005) and also Pan Sonic (2002), Yoshio Machida (2003) and Phill Niblock (2004) live performances. In collaboration with Voldemars Johansons worked for an audio installation "Gaismas pils", inspired by the project of the Latvian New National Library of the same name and presented it on the Architectural biennial NEXT (Venice) and KIMAF 2002 (Kiev). In 2002 completed an EP entitled Ujuja (in Estonian means “swimming”).

At October 2004 participated @ MOKS Media Art Symposium in Estonia. In autumn 2005 created original soundtrack music for video installation "Exposed Paintings" for exhibition of one of the most popular Latvian painters Ritums Ivanovs. In 2005 as sound producer worked on a short film "Alise" (Director Asnate Ribena). In 2004-2006 as Kriipis Tulo collaborating with Luis Ortiz for remix projects on Sinergy-Networks . In 2006 founded Astrowind project and presented new soundtrack to the “Dreamers” – a new exhibition of Ritums Ivanovs in spring 2008. Astrowind released several significant albums which declared forward-loocking style – paleopsychedelic ambient. Essential Astrowind’s album “Kaidanovsky” published in Italy in 2012. Astrowind is a key line and the project simultaneous with Echochorus activities managed by same person. From 2008 started performing as a DJ.

free download

Summer (!?) has come

Hello folks. With some delay we glad to introduce to you some tunes from dropbox. Yea, and the summer has come. It is cold in Siberia but we hope for changes.

Today we share last 5 tracks

You can also send us your any work related to all that can be found here.
Send us your sounds

VA - ECHOTOURIZM Vol.2

... So we did it. Thanks to all who participated and helped in our common work.


Also check out a small review at Big Echo (RU)

Dropbox Tunes #2

Доброго времени суток. Сегодня продолжаем ставшую доброй традицией рубрику Dropbox Tunes. В которой публикуем аудиоматериалы, которые нам попадают, в основном, как вы уже догадались, через наш Dropbox. Сразу хочу заметить, что отдельные композиции стали для нас даже своего рода открытием, что вдвойне приятно в наш переполненный информацией век. Спасибо эхогостям за участие и за достойной вклад каждого из них в наше общего дело.

No comments. Music says for itself

Patience RMXS

Hello, echoreaders! Let's remind our dreampop quartet.
First tune was too much impressive. Now we've got they all.

Special thanks to all participants.

Sunrise in Glasgow

Примерно в конце прошлого лета к нам пришло письмо от некоего Iain Foxwell пришло письмо с кратким описанием того, что он близок к нам по духу, а также ссылкой на его soundcloud. Год назад в силу многих обстоятельств мы не смогли написать о чем рефлексирует молодой шотландец в своих короткометражных звуковых зарисовках. Для дружественного блога Iain уже успел записать гостевой микс. Но напор и рвение быть услышанным все же подтолкнули нас к небольшому диалогу с проектом Holobeams & Broken Mashines. Текст публикуется на оригинальном языке.

- Hello Iain, we would like to have a few words from you about your recent tracks and the project Holobeams. We are interested what equipment was used, and tell us some about Glasgow?

My recent tracks were created as a small 2 track release called Clouds/Sunrise. They are really a further progression from my previous 2 e.p's. I am very influenced from all music but for this project specifically bands like Boards of Canada, Com Truise, Washed Out and many others. Recently i really enjoyed the Drive soundtrack which has subsequently influenced my music. I am generally looking to create a dream like, and uplifting vibe if possible with Holobeams & Broken Machines music.

I wrote the music on Ableton but employed many VST's to try and add a lofi, old school tape type effect. I use a lot of synths (Moog, Native Instruments FM8, impOSCar) which lends itself to the older styles more. I have many old hardware synths like the Juno 106 but have not used them recently as the Ableton and Vst's offer much easier creative workflow i feel.

Glasgow is actually an amazing city for electronic artists and Scotland in general has produced some big players (Most notably Boards of Canada, Rustie, Hudson Mohawke). If you are looking for some cool up and coming Glasgwegian electronic artists check out guys like Grobbie, Cur$es, Barrientos, MermaidS. In fact there is a blog called  http://www.synthglasgow.com which always showcases the best in Glasgow & Scotland. Check it out if you can.

P.S. Oh yeah, for drums i like to use a lot of Roland 707's 808's.

Dropbox Tunes

мы незаслуженно забросили писать о тех работах, что шлют нам на soundcloud, поэтому сегодня сразу 2 трека от наших друзей уже отметившихся на сборнике.

ECHOTOURIZM

Hello friends. Today we celebrate our birthday. And we are pleased to announce the compilation, attended by everyone who was close with us in spirit. Geography of participants is very extensive. And we hope to further expand the location of our participants. Check it. And thank you for all this time have been with us.

Echo-catchin'

Hello everyone! Today... тоесть сегодня будет пост на русском. Во-первых, спешим поздравить, братьев по разуму, а также наших дальних приятелей из города Красноярск с выходом альбома.

Шуга (2012) by Eholow

Речь идет о группе "Эхолов" (Eholow). На данную группу невозможно не обратить внимание, особенно учитывая специфику нашего блога. Сказать об этих парнях можно немного, разве только что репетируют они в избе, а на записи они используют исключительно hardware средства. Вот так пишет  о них  FarFromMoscow:

The kind of music to accompany you on a journey." And so, in that vagrant spirit, the two musicians responsible for enacting these ideas call themselves Echolov or "Эхолов/Eholov" which in direct translation might read "Echo-Catch[er]." It refers, apparently, to "some ancient [mystical] practice." Sounds of pre-modern consequence have been drowned out by clamorous, often commercial chatter. They can only be discerned nowadays through a rejection of pragmatic enterprise. More can be done with less noise.

Кстати на том же FFM можно прочитать о нашем последнем релизе Speck - Harmonia.

Public Transport over Atlantic Ocean

Hey. We have already appeared on the news of the upcoming compilation. This is not about that, but now the promised interview with overseas friends. The first our acquaintance with the project Public Transport started from the Psee's mix. There are two tracks: "Mondlicht" and "Up All Night". A year later, already watching the Duncan (sole author and participant), we could not ignore his new work, and also invited to provide us with one of his tracks for our upcoming compilation. So meet a guy from Atlantic Coast - Public Transport (Bar Harbor, ME, US)  

See Colors by Public Transport

- How did you start making music?

 My first experience writing music was with ModPlug Tracker back in 1999. It had a really steep learning curve, but the cool thing was that tracker music is shared as a project file, so I was able to look inside songs I liked and figure out how they'd done things- I learned a lot of music theory that way. Netpoet's drum n' bass track "Peachy" is still one of my favorites from back then- the tracker scene was definitely a big influence for me in my formative years.  

- What are your biggest musical influences?

 Wow, where should I start? I've always liked Boards of Canada- I can put "Geogaddi" on, close my eyes, and have the sound textures set off all these colors in my head. They've definitely been an influence in terms of how I build soundscapes- we share a lot in terms of fuzzy, synaesthetic sounds. Apart from that, Ulrich Schnauss has been a huge influence- "A Strangely Isolated Place" really struck a chord with me when I first heard it back in 2004, and I think its combination of melancholy and happiness really resonated with what it's like to live in Maine.

 - What software and/or hardware do you use for music production?
 I use my home PC with FL Studio to host a variety of VST instruments- Green Oak's freeware Crystal synth has been a major part of my sound, as well as various Moog and Juno softsynths for pads and such. I've been building a sample library for about 12 years now, which comes in handy at times when I need the right snare drum or ambient noise.

Public Transport feat. Furns - Seawall by Public Transport

- How do you promote your work?
 Maine doesn't have a very big population, so there really isn't a critical mass of like- minded people here that would support playing live shows. I actually reach most of my audience through the Internet! So far, I've released two EPs online, one independently and one through the Swedish 23seconds Netlabel. I also reach a lot of people through Soundcloud- my account just hit 11,000 plays. A lot of the time it's because I've been linked by a blog- It's really nice to go online and see some blogger in France has written a bunch of nice stuff about your latest release. Currently, I'm remastering and working on new material for a full-length album- I'd like to do a physical release, so right now I'm researching labels!

The Bilinda Butchers - Tulips (Public Transport mix) by Public Transport

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